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Singing through Menopause

Menopause Changes Women’s Singing Voices – What We Know Now

December 30, 2020 by From Our Readers Leave a Comment

By Nancy Bos, Cate Frazier-Neely, and Joanne Bozeman

Millions of women around the world are on the same path, and we no longer need to walk that path alone. Working together gives us a better understanding of the vocal issues women might face and how to minimize them.

Singing during the years around menopause can bring unforeseen challenges for some women. To Elaine, a 56 year old professional singer and voice teacher, her voice felt like a mystery for the last few years. Her vibrato was wider than it used to be, her usual songs didn’t feel good anymore, and her flexibility and agility had decreased. On top of that the vocal transition, or break, between her high and low ranges was difficult to navigate. She was frustrated and sad, not knowing if she would ever enjoy singing again. “I couldn’t figure out what I was doing wrong. Plus, I felt I was losing my vocal identity.”

Like other women, she wondered if she was good enough to sing performances anymore. The burden of self-doubt and anxiety impacted everything she sang. There was more going on as well. “During perimenopause, I experienced horrible night sweats which meant very poor sleep. I am still not sleeping well and rarely sleep through the night.”

It is essential to help every woman understand she is not alone. Until recently, voice changes from menopause and aging have been almost unmentionable. If a woman talked about her challenges, especially if she was a professional singer, it could have meant decreased opportunities and even the end of her career. Most women have stayed silent, coping as best as they can, assuming that they have to deal with their baffling voice issues by themselves. But that is not the case. Millions of women around the world are on the same path, and we no longer need to walk that path alone. Working together gives us a better understanding of the vocal issues women might face and how to minimize them.

So how exactly does menopause and the changing hormonal landscape that women experience impact the voice?

Estrogen is a major player, vocally speaking. Estrogen:

  • causes suppleness of the vocal folds’ upper surface (the mucosal layer)
  • supports the glands that produce the thin mucus that coats the surface of the vocal folds
  • maintains tone and bulk of skeletal muscles, including the deepest layer of the vocal folds, which produce lower pitches, and the tiny muscles that produce higher pitches
  • blocks the effects of androgens (testosterone), preventing lowering and thickening of the voice
  • increases oxygenation to the folds by improving permeability of the blood vessels and capillaries

Progesterone has positive and negative effects on singing. Progesterone:

  • balances effects of estrogen throughout the body
  • encourages the surface of the mucous membrane of the folds to slough off
  • causes decreased and thickened secretions of the outer layer of the vocal folds, resulting in drier vocal folds
  • decreases permeability of the fold capillaries, leading to swollen vocal folds
  • may be involved in neuromuscular activity, supporting quick responsiveness of the laryngeal muscles

Androgens, including testosterone, are naturally secreted in women’s bodies. Androgens can:

  • cause the vocal folds to thicken, which lowers pitch
  • increase dryness of the vocal folds due to changes in the glands that secrete fluids near the vocal folds​

During the menopausal transition, which can start ten years before menopause and last for several more years after, there will be times when hormones fluctuate substantially from day to day. The voice, unfortunately, can seem unreliable and unpredictable because of the hormone roller coaster. At certain phases of the hormonal journey, many women need empathy and skilled assistance. Support comes through respecting what singers are experiencing, assisting with solutions as needed, and encouraging them to continue singing. Knowing they are not alone can be an enormous relief. Voice is intimately linked with identity. When a woman’s voice is not functioning as expected, it can throw her life off balance. We encourage women to listen to their bodies and hear what their bodies are telling them through their symptoms.

Fortunately, not all women experience serious voice problems in the menopausal transition. It’s not our aim as researchers and authors to create only negative expectations. However, saying nothing or highlighting only positive experiences is not helpful for the women who do have trouble. For those with no major vocal issues during these years, learning about the hormonal shifts versus the effects of aging can also be beneficial and empowering.

But how do we know when we need help to sort out our voices? Most adults have an idea of when they don’t feel well and need to see a primary care doctor, go to a clinic, or to the emergency room. We generally know the typical symptoms of something that needs immediate attention, or when our condition warrants a “wait and see” approach.

Decisions about voice care, however, may not be so obvious to us. But, if we learn the basic symptoms, we’ll have a better idea about whether a voice condition needs immediate care or whether we can wait and see if the voice gets better over time.

Singing voice lessons can help a woman sort out vocal issues. The therapeutic aspects of voice lessons and the community of a choir can make a world of difference for a singer. Look for singing teachers and choral directors who welcome midlife and older female singers with open arms. Keep in mind, licensing and certification are not required to be a voice teacher or choir director. There are no guarantees of quality, regardless of experience and training. Ideally, choir directors or singing teachers should be able to help a singer explore vocal issues and refer to other appropriate voice specialists when necessary.

Another valuable resource for women who are sorting out voice issues are singing voice qualified speech-language pathologists. These specialists can help a woman re-balance her voice, deal with technical frustrations that may have developed, and establish appropriate singing habits. There is a misconception that these clinicians only work with injured voices, when actually, they are well-equipped to help singers through a vocal rough patch with targeted voice therapy and singing technique. Many of these speech-language pathologists, or SLPs, are affiliated with voice clinics or have private practices and voice studios.

Because of a variety of factors, many women have few options for help. But if there are multiple possibilities, seek out a person with patience, compassion, healthy personal boundaries, flexibility, humor, and the ability to inspire.

The good news is that because of rapid advances in communication and health sciences, women all over the world are now able to find help to overcome these vocal issues and the emotional challenges throughout this potentially disruptive time.

Nancy Bos, Cate Frazier-Neely, and Joanne Bozeman are the authors of the book and audiobook Singing Through Change: Women’s Voices in Midlife, Menopause, and Beyond. Learn more at singingthroughchange.com.

Filed Under: Others Tagged With: healthy singing, Singing through Menopause, Wellness

Singing Through Menopause

July 17, 2018 by Lynn Swanson Leave a Comment

by Jamea Sale, contributing author, DevelopingVoices.blog

“While the vocal apparatus does change as we grow older, researchers have found that voice training may help maintain the voice as we age.”  (Butler, 2001).

The Female Voice undergoes changes throughout the lifetime. Her habitual voice pitch descends from age 4 to 50 years, & finally settles in her 80s. Adolescent girls must navigate voice changes when the larynx experiences a growth spurt in which the vocal folds experience a 3 to 4 millimeter total increase in the length (Kahane, 1975).

Female singers face additional challenges with the onset of menopause that have a direct effect on the vocal mechanism. Estrogen deprivation causes substantial changes in the mucous membranes that line the vocal tract. As estrogen levels decrease, laryngeal tissues begin to absorb water causing the vocal folds to swell, blood vessels to become enlarged, and vocal fold mass to increase (Emerich, Hoover.  Sataloff, 1996). Changes in hormone levels have been associated with decreased fundamental frequency (pitch) hoarseness, decreased vocal range, and difficulty with complex motor tasks (Boone, 1997; Emerich. et aI., 1996).

Estrogen therapy has been helpful in forestalling the typical voice changes that follow menopause. It has been shown that those on HRT (hormone replacement therapy) tend to have a higher habitual voice pitch than those not on HRT, (Hamden et al 2018) yet there seemed to be no significant difference in voice complaints between the two groups.

VOCAL CHANGES AS WE AGE:

  • Atrophy of the Laryngeal Cartilages
  • Reduced volume and projection of the voice (thin sound)
  • Reduced vocal endurance & fatigue
  • Reduced efficiency in muscle coordination causing pitch inaccuracies
  • Rough or hoarse vocal sound
  • Tremor or shakiness in the voice
  • Hearing Loss
  • Vocal cord atrophy (bowing) causing breathy tone
  • For women: Laryngeal atrophy, edema, and increased presence of deep, narrow furrows or grooves in the vocal fold (vocal fold sulci). Changes in the vocal folds may include edema and thickening of the superficial layer of the lamina propria [the thin vascular layer of connective tissue beneath the epithelium]

WHAT IS HAPPENING TO CAUSE THESE CHANGES?

  • Cartilages naturally ossify (turn to bone) by age 65 causing less flexibility & resiliency in the vocal mechanism.
  • Muscles and ligaments lose elasticity and collagenous fibers making them thin and stiff.
  • The outer layers of vocal folds deteriorate, creating less protection for the vocal muscles underneath.
  • The vocal fold edges can become ragged resulting in a “roughness” to the voice quality.
  • Folds may exhibit a gap or “bowing” in the middle third causing a “breathy” tone.
  • Decline in respiratory function beginning around age 40 with a 40% loss between the ages of 40 and 80.
  • Adverse health conditions natural to aging can affect the respiratory and cardiovascular system.
  • Many medications affect the salivary glands, and mucous-secreting membranes of the respiratory tract, reducing and thickening mucosal secretions, resulting in minimal lubrication of that area. The resulting dry cough may eventually damage the vocal folds.
  • Sedative effect of some meds slow response time of the laryngeal muscles.
  • Regular use of aspirin predisposes singers to hemorrhage especially in unconditioned singers.

CHECK OUT THESE DIVAS!

Cecilia Bartoli ~

Loretta Lynn ~

Aretha Franklin ~

KEEP SINGING WITH A DAILY AND SYSTEMATIC VOCAL FITNESS PROGRAM

  • Warm up the muscles connected directly or indirectly to the vocal mechanism: groups of muscles in the face, neck, shoulders, arms, upper chest, abdomen, sides of the torso, and upper/lower back.
  • Stature: Maintain upright, buoyant, balanced.
  • Inhalation & Exhalation Exercises: Pant, Sing Staccato Vowels, Puff, Hiss, Shh, etc., Hum gently, gradually letting the sound swell.
  • Relax & Stretch the Vocal Tract: Lip & Tongue Trills: Bbb, Prr, Trr, Hrr, Motor Boat Sounds & Sirens. Drop your mouth open downward as far as you can with ease & say “ta, ta, ta, ta” while gently feeling the jaw motion with your hand: breathe out as you say the syllables & sing as many as you can.
  • Resonators: Nasal “wicked witch” to “cowardly lion” voice to stretch the larynx, pharynx & soft palate muscle groups.
  • Articulators: 5-note up & down scale exercises for the 1. Jaw (ya, ya, ya), 2. Lips (ba, ba , ba), 3. Teeth (ta, ta, ta), 4. Tongue (la, la, la), 5. Soft Palate (nga, nga, nga), 6. Throat (ha, ha, ha
  • Flexibility: Up & down glissandos (up to 3 octaves), Gliding on triplets.

LIFETIME MAINTENANCE OF THE BODY, MIND AND VOICE

Daily Exercise, Hydration, Nutrition, Regular Rest, Enjoy Friends, Mental Agility Exercises, Preventative Health, Don’t Smoke, Support the Speaking Voice (breathe as though you are singing).

HELP FOR COMMON VOCAL FAULTS

Vibrato problems are often associated with the aging voice and are either due to tongue/jaw tension or the low breath energy that can be associated with aging.

Things to try:

  • Examine posture watching out for sloped shoulders, head-poked forward  and clenched jaw.
  • Vocalize with: slack jaw, use beginning of a ‘yawn’ space, try tongue out singing.
  • “Knoll” slides, add physical gestures to encourage spinning breath while singing. Imagine 3-dimensional vowel shapes and learn to clarify an open space.
  • Experiment: Sing exercises with straight tone to vibrato.

Thin Tone is due to the folds not fully closing.

Sustain vowels on a single pitch, step-wise repeating note patterns, “ngah” brings the vocal folds together without too much squeeze, gentle staccatos on vowels, ding/ming/ning. Take care to not over-blow (blow the folds open).

Creaky Voice is due to speaking at an unnaturally low pitch and not refreshing breath.

Say, “Mm-Hmm,” as though agreeing with something. Become aware of the low-pitch voice use & investigate situations that exacerbate the habit.

 NOTE: Much of the time, hoarseness and vocal difficulties are not simply age-related change. Any change that you notice in your voice should be a warning sign that something may be wrong. See your otolaryngologist (ear, nose, throat doctor). Almost all voice problems are highly treatable.

For more questions, email Author Jamea Sale: 

[Read more…] about Singing Through Menopause

Filed Under: Others Tagged With: Female Voice, Menopause, Singing through Menopause

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