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healthy singing

Menopause Changes Women’s Singing Voices – What We Know Now

December 30, 2020 by From Our Readers Leave a Comment

By Nancy Bos, Cate Frazier-Neely, and Joanne Bozeman

Millions of women around the world are on the same path, and we no longer need to walk that path alone. Working together gives us a better understanding of the vocal issues women might face and how to minimize them.

Singing during the years around menopause can bring unforeseen challenges for some women. To Elaine, a 56 year old professional singer and voice teacher, her voice felt like a mystery for the last few years. Her vibrato was wider than it used to be, her usual songs didn’t feel good anymore, and her flexibility and agility had decreased. On top of that the vocal transition, or break, between her high and low ranges was difficult to navigate. She was frustrated and sad, not knowing if she would ever enjoy singing again. “I couldn’t figure out what I was doing wrong. Plus, I felt I was losing my vocal identity.”

Like other women, she wondered if she was good enough to sing performances anymore. The burden of self-doubt and anxiety impacted everything she sang. There was more going on as well. “During perimenopause, I experienced horrible night sweats which meant very poor sleep. I am still not sleeping well and rarely sleep through the night.”

It is essential to help every woman understand she is not alone. Until recently, voice changes from menopause and aging have been almost unmentionable. If a woman talked about her challenges, especially if she was a professional singer, it could have meant decreased opportunities and even the end of her career. Most women have stayed silent, coping as best as they can, assuming that they have to deal with their baffling voice issues by themselves. But that is not the case. Millions of women around the world are on the same path, and we no longer need to walk that path alone. Working together gives us a better understanding of the vocal issues women might face and how to minimize them.

So how exactly does menopause and the changing hormonal landscape that women experience impact the voice?

Estrogen is a major player, vocally speaking. Estrogen:

  • causes suppleness of the vocal folds’ upper surface (the mucosal layer)
  • supports the glands that produce the thin mucus that coats the surface of the vocal folds
  • maintains tone and bulk of skeletal muscles, including the deepest layer of the vocal folds, which produce lower pitches, and the tiny muscles that produce higher pitches
  • blocks the effects of androgens (testosterone), preventing lowering and thickening of the voice
  • increases oxygenation to the folds by improving permeability of the blood vessels and capillaries

Progesterone has positive and negative effects on singing. Progesterone:

  • balances effects of estrogen throughout the body
  • encourages the surface of the mucous membrane of the folds to slough off
  • causes decreased and thickened secretions of the outer layer of the vocal folds, resulting in drier vocal folds
  • decreases permeability of the fold capillaries, leading to swollen vocal folds
  • may be involved in neuromuscular activity, supporting quick responsiveness of the laryngeal muscles

Androgens, including testosterone, are naturally secreted in women’s bodies. Androgens can:

  • cause the vocal folds to thicken, which lowers pitch
  • increase dryness of the vocal folds due to changes in the glands that secrete fluids near the vocal folds​

During the menopausal transition, which can start ten years before menopause and last for several more years after, there will be times when hormones fluctuate substantially from day to day. The voice, unfortunately, can seem unreliable and unpredictable because of the hormone roller coaster. At certain phases of the hormonal journey, many women need empathy and skilled assistance. Support comes through respecting what singers are experiencing, assisting with solutions as needed, and encouraging them to continue singing. Knowing they are not alone can be an enormous relief. Voice is intimately linked with identity. When a woman’s voice is not functioning as expected, it can throw her life off balance. We encourage women to listen to their bodies and hear what their bodies are telling them through their symptoms.

Fortunately, not all women experience serious voice problems in the menopausal transition. It’s not our aim as researchers and authors to create only negative expectations. However, saying nothing or highlighting only positive experiences is not helpful for the women who do have trouble. For those with no major vocal issues during these years, learning about the hormonal shifts versus the effects of aging can also be beneficial and empowering.

But how do we know when we need help to sort out our voices? Most adults have an idea of when they don’t feel well and need to see a primary care doctor, go to a clinic, or to the emergency room. We generally know the typical symptoms of something that needs immediate attention, or when our condition warrants a “wait and see” approach.

Decisions about voice care, however, may not be so obvious to us. But, if we learn the basic symptoms, we’ll have a better idea about whether a voice condition needs immediate care or whether we can wait and see if the voice gets better over time.

Singing voice lessons can help a woman sort out vocal issues. The therapeutic aspects of voice lessons and the community of a choir can make a world of difference for a singer. Look for singing teachers and choral directors who welcome midlife and older female singers with open arms. Keep in mind, licensing and certification are not required to be a voice teacher or choir director. There are no guarantees of quality, regardless of experience and training. Ideally, choir directors or singing teachers should be able to help a singer explore vocal issues and refer to other appropriate voice specialists when necessary.

Another valuable resource for women who are sorting out voice issues are singing voice qualified speech-language pathologists. These specialists can help a woman re-balance her voice, deal with technical frustrations that may have developed, and establish appropriate singing habits. There is a misconception that these clinicians only work with injured voices, when actually, they are well-equipped to help singers through a vocal rough patch with targeted voice therapy and singing technique. Many of these speech-language pathologists, or SLPs, are affiliated with voice clinics or have private practices and voice studios.

Because of a variety of factors, many women have few options for help. But if there are multiple possibilities, seek out a person with patience, compassion, healthy personal boundaries, flexibility, humor, and the ability to inspire.

The good news is that because of rapid advances in communication and health sciences, women all over the world are now able to find help to overcome these vocal issues and the emotional challenges throughout this potentially disruptive time.

Nancy Bos, Cate Frazier-Neely, and Joanne Bozeman are the authors of the book and audiobook Singing Through Change: Women’s Voices in Midlife, Menopause, and Beyond. Learn more at singingthroughchange.com.

Filed Under: Others Tagged With: healthy singing, Singing through Menopause, Wellness

The Good, The Bad and The Injured – Today’s Pop Artists

June 19, 2018 by Lynn Swanson Leave a Comment

Who are the good? Who are the bad?

Who has suffered vocal injuries due to poor singing habits?

written by Contributing Author of DevelopingVoices.blog  Jennifer Berroth.

Pop genre is ever present in musical preferences of young people and can have a profound influence on their vocal development.  That influence can be positive and inspiring—but it can also lead to unhealthy singing habits.  Rather than shut pop stars out of the classroom, why not use them to aid in your healthy vocal instruction? Even though we would like our young singers to listen to Renee Fleming, Luciano Pavarotti, and Placido Domingo, none of them are likely to appear on their  Spotify  “most played” list. You’d better believe, however, that they can burst into Katy Perry, Adele, Bruno Mars, or Lady Gaga at a moment’s notice.  Use the following names and video links to grab your students’ interests ~

THE GOOD

Lady Gaga has had the same vocal coach since she was eleven years old. She studied voice at New York University’s Tisch School of the Arts.  She has a history of showing off her versatile vocals from singing with Tony Bennett, performing music by Stevie Wonder, and my favorite, a tribute to Julie Andrews and The Sound of Music.  Her sound is resonant, energized, and open. It’s obvious she takes time to train her voice for whatever style she is singing. At her Super Bowl performance, even though she is gasping at times, she maintains support and energy through-out her phrases.

  • The Sound of Music Medley https://youtu.be/JxcFcKvjZCk
  • Lady Gaga mid-Super Bowl: https://youtu.be/g9rM__3Q7i4

Kristin Chenoweth has performed many different styles of music but is always consistent with sound and technique.  Chenoweth first earned a Master’s degree in opera performance from Oklahoma City University.  After becoming famous in the Broadway arena she transitioned to movies and giving solo performances around the world.

  • The Girl in 14G shows off her opera vocals as well as her jazz vocals: https://youtu.be/jBJn4BHtqqY

David Draiman (lead singer of Disturbed) – If this name doesn’t ring a bell then you must not listen to much heavy metal (I don’t either). Draiman was first classically trained as a hazzan—a Jewish precentor trained in the vocal arts to help lead the congregation in songful prayer.

  • Years of vocal coaching helped him create his heavy metal, rock vocals. Search for  Down with the Sickness for an audio example (disclaimer: this is not a student friendly song to share) He went back to his classical training to achieve the purer, smoother vocals when his band recreated a Simon & Garfunkel hit Sound of Silence. Hear his classical sound mixed with his edgier rock sound: https://youtu.be/Bk7RVw3I8eg
  • Draiman on his singing technique: https://youtu.be/8JoCUpV3Hgw

THE BAD and THE INJURED

I am not out to  belittle the following artists.  They would not have achieved their fame without some vocal knowledge or ability.  These artists are examples of what can occur with sustained vocal abuse and unhealthy singing habits.

Adele famously endured a serious vocal injury that nearly derailed her career.  She attributes that injury to overuse and lack of rest, but it was also likely the result of forcing her lower singing register to sing high notes as well as her aggressive glottal attacks with her onsets.  Adele’s throat hemorrhage required her to back out of performances and undergo major surgery because of her vocal injury. You can hear her glottal attacks and pushing.

  • Rolling in the Deep: https://youtu.be/n84uLQanjBg

Fergie is an example of  hypertension in the voice and an extreme forward, nasally sound.  Even though it is painful to hear, it is good for students to have examples of bad habits as well as good ones.

  • The Star-Spangled Banner:  https://youtu.be/V5cOvyDpWfM

Mariah Carey wowed listeners with her extensive vocal range as well as her difficult melisma passages.  However, years of raising her larynx to hit her trademark high notes have caused her voice to now sound breathier and tighter and her onsets to be delayed.

Compare videos of All I Want for Christmas is You eighteen years apart:

  • earlier: https://youtu.be/8XJTzYWBkTc
  • later: https://youtu.be/6PzY8WHzobk

Steven Tyler (lead singer of Aerosmith) An up close look at the vocal folds of the seventy year old rock star ir provided in the following video.  Tyler, sixty-one years old during the filming of this series, put his voice through the ringer with his edgy vocals and screaming high notes.  Tyler, like Adele, was forced to undergo laser surgery to correct his vocal injury, a throat hemorrhage:

  •  https://youtu.be/9MDn5GgyxyU (ends at 6:30).

Fortunately, Adele and Steven Tyler were able to resume their singing careers after vocal surgery. Many such operations, however, result in complications that can shorten or end a singer’s career. Julie Andrews, of The Sound of Music fame, awoke from her nodule removal surgery without her iconic voice. Vocal paralysis, excessive scar tissue, and severe chronic hoarseness can also result.  In the interest of our students’ well-being and the longevity of their singing voices, we must always emphasize the importance of healthy vocal training to reinforce singing for a lifetime.

Please email author Jennifer Berroth at DevelopingVoices.blog for questions and more information on helpful teaching tools for your classroom:

Thank you to fellow director Emilia Chiroy for help with these examples. 

Filed Under: Developing Voices Tagged With: healthy singing, Pop artists, unhealthy singing habits, Vocal injury

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